Pearl Pirie’s lists, reviews, interviews, etc. since 2005

cut loose

something that is and might become more.

a wingnut tightening the already taut unlessoned unlistening
bright as a jaydaw’s eye in sun, hunch of spine might kink that way
caw call out, a sharpness raps, what, not clouds, azure brittle
density of lead crystal. off-note chime will do as a focus.
exhale the air held too long, piano key the fingers unblue,
forgot that moving will not happen without my will. shoulders
gyrate alone in a room, topsy world, elbows center of gravity
hobbles almost topples the two dreidels at each tabletop of my sides
in ball joint that fallen rolling bowl sound, nothing broken,
just check for hairline fractures, most too small, only future sees them.
kiss the tectonic wonder that may open in heat, the gestures
lift like sections of nectarines into part where there was whole
make yourself into a homemade bow of green wood pulled into tension
no arrow to hand so knife-saw string, spring back straight from weapon to graft.
open window to wait for the freshness of my blossom
poke me in a tree and I’ll bear fruit while you are busy becoming
quickly miter me to fill with someone else’s sap
rising through my low pressured cells before they flake inert.
shrapnel deciduous caked in ice springs back, anchor of trunk, drunk
take this water, we toast each other with a cutting from the sea, take it,
up into the thirsty sapwood that has no tongue to reach with.
volleys are a tiny scale now, cell to cell, ciphers siphon
writing on the forest face is: pax, root in place
xylem has no interest in conflict conflab, harps, violins and violence
zithers wither, a waste of thrumming living wood that is and is.

reader

I think, perhaps, what I need is a stable of poet and non-poet readers who don’t know my life history so they can’t use that as a cheat sheet. I want the poems seen by someone in isolation of building it into a personality or image of a whole person. I want it looked at dispassionately. I want to know if poems stand on their own.

For these purposes, I don’t need people to talk to me about syntax or effectiveness of poem, not good or bad, or liked or dislikes, or interesting or not, just does the plot or content get thru. Just paraphrase or reparse or just jist. Repeat back to me the predominant mood or message.

Eventually I’ll be able to see that with any given piece, when I become a foreigner to my own words again, but I want the cycle faster.

—

driven forward

with fellow immortal
in 93 had driven Cape Breton
the careen of steep breath
splash crashing stonedrop
the depth width of pupils
naked from the waist
down at 125 cruising speed
policeless pleasing carless
stretch, each the only
each
the only being alive
wriggling
god and god

fellow immortal
lost his key to Olympus
in 99. A T-crash
bloodied steering wheel
of senior blinded by sunset
cracked his sternum*

His loss was mine
suddenly yoked to terminable
was as if a parent had died
left a middle-aged orphan
no tight hugs to say goodnight
ceiling doom, staring up
unspeakable shortlife,
nerves jangled

*in the relevant moment
too busy, forgot to make a wish
re-livid roadside uncurling into
whip lashed replays, can insert:
nothing can ever change?

How can Hercules call helplines
bill payment sorted, have tense should
-ers, ums… sleep hums though the
mortal fellow, eyelid a fallen petal
under my chapped lips